Hélice 30

• Editorial
  

  Miscellany

• • Jonathan Hay, “How Much?: An Interesting Typo in Kim Stanley Robinson’s The Gold Coast“

Reflections

• • Sara Martín Alegre, “On the Monographic Section about Posthumanism”
  • Sara Martín, “Retrospective Posthumanism: Frankenstein According to Our Vocabulary»
  • Francisco Collado-Rodríguez, “The Female, the Intertextual, and the Transhuman in William Gibson’s Molly Millions”
  • Beatriz Domínguez-García, “Of Mutants and Monsters: A Posthuman Study of Verhoeven’s and Wiseman’s Total Recall“
  • Lidia María Cuadrado Payeras, “Posthuman Worldbuilding in Nalo Hopkinson’s Midnight Robber: An Exploration of the Techno/Natural Divide”
  • Rocío Carrasco Carrasco, “Experiencing the Posthuman: The Cinematic Clone in the 21st Century”
  • Amaya Fernández Menicucci, “Mors Dei, Vita Mea: Human, Transhuman, and Posthuman Identities in the TV Series Altered Carbon and Westworld“
  • Mónica Calvo Pascual, “The Tiger Flu: A Critical Posthumanist Response to the Illusion of Transhumanism”

Criticism

• • Mariano Martín Rodríguez, “Los viejos mundos de la ciencia ficción española, bien al descubierto”

Retrieved Works

• • Federico de Castro, “The Perfect Slave”
  • Salvador Rueda,  «The Iron City»
  • Ion Heliade-Rădulescu, Pietro Gori, Guerau de Liost, “Paraísos futuros: tres himnos utópicos”
  • Ippolito Nievo, Antônio Gomes Neto, “Humanos y equivalentes: dos historias prospectivas satíricas”
  • Anatole France, Arturo Graf, Auguste Angellier, Alexandru Petroff, António Feijó, “Visiones tras los apocalipsis: cuatro poemas épico-fantásticos sobre ruinas”
  • Àngel Guimerà, Renée Vivien, Arturo Graf, Ion Pillat, Humberto De Campos,
    Gian Fontana, “Nuevas escrituras sobre el Dios y el Diablo: seis ficciones teológicas dualistas”